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magnificentruin:

Yves KleinThe Specialization of Sensibility in the Raw Material State of Stabilized Pictorial Sensibility, 1958
loverofbeauty:

Jasper Johns:  Skin (with O’Hara Poem) 1963/65
3wings:

From the series "The Apollo Prophecies"Kahn & Selesnick
design-is-fine:

James Sowerby, Meteorolites, 1812. Found in Scotland, Yorkshire and Ireland. Hand-colored engraving. © Natural History Museum.
Claire Falkenberg, Lover, Dose Projects Space  Brooklyn, NY, 2014
cirrus, sort of

asfaltics:

image

pedagogical scribbles, 25 september 2014

something about an index — indexical terms being the thread(s) that connect otherwise unrelated universes/domains.
and a sliver of a discussion about different arrangements of poetry in a book, and their consequence for meaning.
and some random marks/paint.
 

Hannah, a note for you from the “uncomfortable distance of three thousand miles”; read hermeneutically, it is the abyss of longing.
Martin Heidegger to Hannah Arendt, 1950 (via heteroglossia)
vjeranski:

LOUISE BOURGEOIS
Les Fleurs, 2009
gouache on paper
inthemoodtodissolveinthesky:

Louise Bourgeois, To Unravel a Torment You Must Begin Somewhere, no. 8 of 9, from the series What is the Shape of this Problem?, 1999
Saul Fletcher, Untitled ‘246 (brickworks) 1012 via Allison Jacques Gallery
cinoh:

huldrapress:
MASAO YAMAMOTO 
"É" Hardbound with maroon cloth covered and cream dust jacket, with a double 2-page gatefold and 49 reproductions. From the edition of 2500. Tucson, AZ: Nazraeli Press. 2005. 
yama-bato:

Dubuffet, Jean: L’arbre d’ombre
via
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