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Patrick Wagner, Graveyards, Ongoing cycle of prints. Intaglio from copper and zinc plates,
Martin Creed’s broccoli prints (Work No. 912, acrylic on canvas, 2008 /  Work. No. 1000, various paints on card, 1,000 parts, 2009-2010 / Work.  No. 815, 7-inch single, 2000) via stopping off place
sharonbarfoot:

‘Warrior’ by Sharon Barfoot
monoprint on rice paper
 ANNELIES ŠTRBA ,Nyima 222. 2005. Ink Jet print on canvasvia We Find Wildness
nocturnalreview:

robertocalbucci:

THE LATTER’S SURFACE_ 
the situation where the nearer object is considerably smaller in apparent size than the more distant object_
( relatively brief events that can only be viewed in totality along a relatively narrow track )
ink, airbrush, pencil/colored pencil on paper.  
> Betty Goodwin, parcel seven, 1969, soft-ground etching and etching in brown and blue on wove paper
kleidersachen:

Betty Goodwin, For Joseph Beuys, 1974,  soft-ground etching and etching with colour polaroid photograph on wove paper “In 1972 she found a fisherman’s vest like the one  Beuys always wore, and with it made the print “Vest for Beuys”. In 1974  she took photographs of Beuys at an “action” in a New York gallery. She  then placed the photos on the remaining impressions of “Vest for  Beuys”, and dedicated this version to him.”
clear theme by parti
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