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John Baldessari  - I Will Not Make Any More Boring Art, 1971

Walt Whitman Poem
Leaf (a recto) faces a blank leafLeaf is followed by 21 blank leaves and the blank back endpaperLeaf mounted with seven holograph manuscripts written on seven scraps of paperThe woman that sells candies and apples; the “red liquid heart of the earth” Signal bellthings not in the gorilla and the chimpanzeeOne good of knowing the great politics of natureI admire a beautiful woman All moves unwittingly or halts and stands.

Letter written by Emma Hauck to her husband while in a psychiatric hospital. The words ‘sweetheart come’ (‘Herzensschatzi komm’), are written over and over filling the surface of the paper. Circa 1909.
Barbara Suckfüll (born 1857) Sammlung Prinzhorn
Barbara Suckfüll wird diktiert von Stimmen, Telefonstimmen, die ihr Befehle erteilen zu schreien, zu fluchen, zu laufen und eben auch zu schreiben und zu zeichnen. Sie skizziert ihr Essgeschirr, konturiert ihren Tisch aufs Blatt und füllt dann mit Akribie die verbleibende Fläche mit Worten. 
Robert Filliou, Research on Art and Astrology, 1969 via Rolu and via
Ayreen Anastas and Rene Gabri at Cabinet, London via Contemporary Art Daily

“Index of forms” from Jen Bervin and Marta Werner, The Gorgeous Nothings: Emily Dickinson’s Envelope-Poems (New York: Granary Books, 2012).

Janet Malcolm: Irretrievable Hippopotamus, 2011. Paper collage, 12½ x 9 inches
Janet Malcolm, Six Intercourses in Succession, 2011. Paper collage, 7 x 6 inches via nybooks
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