33 notes
Tags: Louise Bourgeois writing
Emily Dickinson wrote on small pieces of paper, whatever was on hand.
[See also: The Gorgeous Nothings: Emily Dickinson’s Envelope-Poems
by Jen Bervin & Marta Werner]
Gene Beery
We Still Have Wild Birds Here, 1990s
acrylic on canvas
18 x 14 inches
Louise Bourgeois at the Freud Museum, A loose sheet in English, circa 1962 via
Cy Twombly, Fifty Days at Illiam: Heroies of the Achaeans, 1978
Alan Jaffe
There is an eye watching you c. 1965
Michael Wallace, GPS drawing on bike, ‘GPX mythwallogy’, 2012
9.72 miles in 1 hour, 56 minutes, 49 seconds via designboom
Mailed gift to Bill Wilson, 1960
(Source: cinoh, via graphandcompass)
Catalina Veijo Lopez de Roda, Letter to my Dreams
Carta para mis Suenos, Collage 2009
Cy Twombly - Roman Notes I, 1970
(via thecounterpunchingradio)
Pages from Öyvind Fahlström’s notes for generating his hybrid languages.
“Monster languages” is the expression Swedish artist Öyvind Fahlström (1928-1976) used to refer to his experiments in creating new languages: “birdo,” based on American bird sounds; “fåglo,” based on Swedish bird sounds; and “whammo,” based on onomatopoeic expressions in comic books.
via Cabinet
(via artywords)