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christopherschreck:

Robert Rauschenberg appreciation day“untitled (jammer)”, 1975
starbucks-fauxhemian:

Guillermo Kuitca - Untitled, 1994. Watercolor on paper. 48,2 x 60,9 cm (19” x 24”) — Daros Latinamerica Collection, Zürich
W. Tucker, Two Boats & Rino, Charcoal, paper, graphite on book cover, 2011
-outlying-:

Linda Pettway, Logcabin, single-block variation, tied with yarn, c. 1975 (via)
drawings in the endpapers of That’s What Friends Are For by Florence Parry Heide & Sylvia Worth Van Clief, Four Winds Press, 1968 via Stopping Off Place
drawings in the endpapers of That’s What Friends Are For by Florence Parry Heide & Sylvia Worth Van Clief, Four Winds Press, 1968 via Stopping Off Place
thatkindofwoman:

michaelcharles:
Robert Rauschenberg
untitled (jammer) / 1975
'balloon factory' by object design league at the museum of contemporary art chicago all images courtesy of object design league via designboom
Hugh Scott Douglas, Linen Painting,  Dyed Linen, Tape Painting, Oil on Muslin, Pencil
theories-of:

Robert Rauschenberg, Mirage (Jammer), 1975, Sewn fabric, 203 x 175 cm
Wolfgang Laib, “Pollen from Hazelnut” (1998-2000) (image from hirschorn.org) via hyperallergic
Wolfgang Laib. Installation view of Without Place–Without Time–Without Body.
Exhibited at Sean Kelly Gallery, Sept. 7–Oct. 13, 2007
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